Creating Collaborations—My Intention for the Year!

At the beginning of the year, one of my intentions was to create more collaborative work— with existing colleagues and venture into unexplored territory.

I see connection and opportunity almost everywhere (a blessing and a curse, I believe). Two weeks ago, I took a fabulous course with Ramiro Davaro-Comas, a professional muralist and instructor at the Art Students League in NYC. (Ramiro has been painting murals for 15 years, painted over 200 murals, and facilitated more than 150 additional murals. You can find his work here, www.ramirostudios.com and www.super-stories.org) I have a (not so) secret desire to create more murals—BIG artwork. I want to add more of this type of work and play to my repertoire. 

During the session, I also found that I was constantly thinking about the mechanics—the micro-adjustments necessary to create the desired effect with the spray paint—which nozzle I was using, how close my hand was to the wall, and what angle I needed to get a tight straight line as opposed to a wide swath of paint. Sustained, hyper-focused attention to the details of my drawing is not so common for me—I most often work in well-known ways that are almost second nature. It was a great lesson in microlearning. 

After the course, having had so much fun and learning new skills, I approached Ramiro about partnering to create a session I could offer to my community—visual practitioners. The idea has come together so easily and quickly! The session is on the calendar, announced just yesterday to my bikablo alumni and now for everyone who would like to dive into this learning experience/adventure. While it might seem like the session—an afternoon in Bushwick (Brooklyn) is all fun and games, visual practitioners, trainers, facilitators, and coaches are always creating posters, charts, and collateral that includes headlines/hand lettering, close attention to layout, and color.

Have I whetted your appetite? Are you curious to learn more? I’d love to talk with you about my experience and to answer your questions!

Come to New York, if you’re nearby, and run into the city for the day. I added a brief trip to the Metropolitan Museum of Art to start the day for those who love to be up early to begin their day in Manhattan. All the details of the schedule are on my calendar. Or perhaps make it a long weekend in the middle of the summer, or maybe you’re attending the IFVP (International Forum of Visual Practitioners) Summit that begins the day after this session, and you will add this adventure to your calendar.

As you can imagine, space is limited because we will be plorking (playing and working) in the backyard of world-renowned LowBrow Artique, a Brooklyn gallery, and a spray paint store. Find more details on my calendar here.

Perhaps most importantly, beyond the joys and challenges of hand-lettering, what do you think about your experiences with collaborations and partnerships? And of greatest import, what are your intentions for this year? How are you living into them? I’d love to know!

PS: And, if you’re curious about more visualization events and resources, email me to join my ezine list. Yesterday’s edition was chock full of info and goodies!

I LOVE feedback! What about you?

When you finish a project, what do you do? Do you celebrate, reflect, plan for the next time/future, and…?

 In the past two weeks, I’ve had opportunities to engage in giving (myself and others) feedback. I’ve also considered how I want to receive it from others. These have been enlightening experiences. 

In what circumstances do you offer feedback, appreciations, observations, reflections, critique, constructive criticism or the like? 

What do you think, feel, and communicate before engaging in the activity? And how is it different when the sharing is one-way, a conversation with one or more people, or setting up an opportunity for people to share feedback?

In my practice
I have developed a daily art practice. One project took me into rather unknown territory—working with a combination of acrylic paints and pens, gouache, collage, gel matte as a fixative, and mixed media paper. While I’ve worked with almost all of these materials before, this particular sequence and the combinations were new and held challenges (the weight of paper was not quite right for all the media, using gel matte with gouache is tricky {there’s a story there!}, and more. I’m also the gal who follows the “recipe”/directions the first time I do something, and then I change it up. I tried to follow the plan this time but then abandoned part of it. (I gave it a good try twice and didn’t like the results, so I found my way.)

 

Working/Being with others
I am always observing people’s habits/how they give feedback to themselves and each other. As the facilitator of a recent experience, I sought to guide the reflections in a generative way—with a focus on appreciating aspects of participants’ work about the criteria of success and pointing to opportunities to try new and different techniques rather than viewing aspects of their work as mistakes or flawed. While I believe in recognizing mis-strokes in drawing and processes that didn’t achieve the intended purpose and impact, I always choose to “fail forward”/focus on future possibilities. It’s delicate work being a facilitator seeking to create a warm, open, honest, learning-oriented environment.

I was also part of a gathering of about 30 people interested in addressing climate change through art and activism. The organizers asked for feedback, and I shared my reflections using my simple framework of: 

  • asking about their intentions and goals—thinking about the complete experience for participants (before, during, and after the event)
  • what I appreciated/the processes that had worked well for me and as an observer (I never stop thinking of group dynamics)
  • what might be done differently next time and why I thought so.

The facilitators were receptive.

These experiences were instructive to me—personally (in my artwork), as the facilitator of learning experiences, and as a participant with a stake in the event. 

What do you enjoy, find challenging, or wonder about harvesting people’s thoughts and feelings about experiences?
I LOVE hearing reflections and always ask for them, even when time is short. Here are a few photos of quick feedback from students after several 45-minute sessions at a conference. They put the sticky notes on the chart paper on their way to the room. I asked them to share about their experiences: 

  • What did you like?
  • What did you learn?
  • How will you use your new knowledge and skills?

Their responses gave me a pulse check about their engagement, enthusiasm, and learning.

Here’s one last example of a feedback sheet I use during some of my Appreciative Inquiry sessions.

 

How do you elicit reflections on your work? What influence does what you learn have on future sessions? I’d love to know!