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Great reads!

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Summer reading… What did you love and learn in your explorations this summer—whether (physical) books, audiobooks, or maybe even podcasts?

While my list isn’t typical when I reflect on the phrase “summer reading” (which means “beach reads” or light fare to me),  I have loved and learned a lot. Here’s my list (beginning in late spring):

  • 10% Happier, Dan Harris
  • How to Say Good-bye, Wendy McNaughton
  • Kalyanamitra: A Model for Buddhist Spiritual Care, Rev. Dr. Monica Sanford 
  • Last Things: A Graphic Memoir About ALS, Marissa Moss 
  • Ronan and the Endless Sea of Stars, Rick Louis and Lara Antal
  • The World Could Be Otherwise, Norman Fischer
  • There is Never Anything but the Present, Alan Watts

I am in the midst of the workbook Living Fully and Dying Prepared by Francesca Lynn Arnoldy and cannot recommend it highly enough for everyone. She does in writing and through exercises what I endeavor to do in all my sessions on visual obituary creation and end-of-life planning—engaging in creative explorations of our lives and our wishes for care in our final days and weeks. This work brings a new appreciation of our present lives.

Are you looking ahead to September? I am planning new reading adventures, knowing that I have some books on my list for my studies and others that have piqued my interest. Next up for me is How to Tell a Story by The Moth, though I will listen to it in the car on my way to Maine in a few weeks. After listening to the book, I plan to call The Moth pitch line with an idea. Unbelievably, after attending the Creative Mornings program in which Catherine Burns was the speaker, I won The Moth: A Game of Storytelling! While it hasn’t arrived in the mail yet I can’t wait to open it and discover how to play. No doubt it will enhance my storytelling skills!

I’d love to hear what’s on your list—from the summer and the fall! I hope you will share!

Finding Joy in Reviewing Our Lives

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Earlier this summer, I was a guest speaker for “Death Panels: Exploring Dying and Death Through Comics” at the University of Chicago’s Institute on the Formation of Knowledge. 

 My topic, “Creating a Visual Obituary,” is one of my favorites, though I have to say that I had never before facilitated this offering with graduate students. And, I had never worked with a group that had studied dying, death, caregiving, grieving, and memorialization in such depth. I was keen to discover how they would respond to the subject matter (obituaries), the 50 prompts I had created, and the activity (drawing their obituary based on the questions/prompts that resonated for them), which I had used with older audiences. 

The session was really wonderful—the 25 students were engaged, many of the students sharing their ideas and questions easily. When they split into pairs, the room became bubbled with conversation for the first 15 minutes and quiet as they each settled into drawing. 

As they shared their thoughts and feelings about the entire experience, I heard that they had integrated the themes we discussed into their work: who am I writing this for, what will I share, how do I want to be remembered, what were the highlights of my life, what challenges did I work through and how did they shape me, who have I been close with, how did I live my values, and more.

I loved the experience and plan to offer it more… it’s akin to creating your visual life story or a life review. I’ve also created a visual lineage chart—important people in my life and experiences I have had. It’s another piece that I cherish.

Are you interested in learning more? I’d love to share my ideas about sharing our memories.

If you’re curious about the hand-drawn visuals I create in support of people planning for the end of their lives (often these are folks in their 50’s and 60’s), I hope you will join the TEDxSantaBarbara Salon on August 23rd. Learn more here, and please reach out to me with your questions!

When the path is clear to me, the project gets done

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I’ve been musing about several projects… Why is one at completion, another a bit of stop and go, and a third feeling both exciting and daunting?

What’s your style of working?

Do you live the adage, “How you do one thing is how you do everything?”

Is your style of work the same across the variables of

  • size of project
  • timeline
  • complexity
  • need for research
  • collaboration
  • perhaps, final approval? 

While I can make generalizations about how I work, I chafe at the literal meaning of the saying.

As I complete a project today that I started in September, I am making time to reflect… as it’s my intention to teach folks how to do what I have done. I want to be able to support them through the peaks and valleys of the process and so I am taking a magnifying glass to my journey. I think it’s also helpful to me to stand back and look at how I do what I do—there are lessons in it for me. 

When I realized how many photos I had taken of the process (who doesn’t love a photo essay?) I decided to quickly make an annotated visual timeline —such fun taking this walk down memory lane!

How do you review and reflect on your projects—appreciating and celebrating what worked well and learning for the future about what might be done differently?

Honestly, I don’t always take enough time for such reflection… Note to self, build in the time!

For my other projects, I’ve discovered…

My fifty stories/sketches about experiences with patients… I have 50+ more about my reflections

The one-page visual I am creating around how chaplains work in a hospital grew out of a need I saw in (you guessed it) my chaplaincy work… In my effort to address the need, I decided to create a useful resource for patients in hospitals (and their family members). As it turns out, this is just a bit complicated to achieve in a visual storytelling style, on one page—there’s a lot I want to say! So this project is a bit of “stop and go” as I navigate my thoughts about how to share information in a fun, accessible, visually appealing style. As time marches on, (and I do love a deadline), it will be done in just over a week so that I can put it aside, review it again in 10 days or so, make any minor revisions needed, and enjoy sharing it at the Graphic Medicine conference.

Here for Good, my graphic memoir project feels a bit like reaching through the fog at times. since I started the actual work of writing and drawing. I have never told a story this big or this long nor am I very familiar with the genre. I have lots to learn and do and sometimes I am uncertain as to my path:

  • What do I do first?
  • Which tasks can be done simultaneously? 
  • Which books will support my process? 
  • How might a mentoring group work for me? *SAW—Sequential Artists Workshop
  • Shall I seek an accountability buddy?

As you muse about my stories, what have you realized about your way of working and playing with projects?

I’d love to hear how your style or styles of work both enhance your experiences and also get in the way—there’s always something to be learned!